I love colorblocking. I love the way the seemingly simple trend took over the fashion world quickly and had everyone feeling like some novel idea was introduced in a ground-breaking manner. Yet the trend works so well on everyone, showcasing solid colors paired together to give a sleek yet bold look. The handbag world has taken to the trend as well, with many designers releasing versions of the trend that they believe will get people buzzing. But as always, some do it in a way that draws us in, and others totally miss the mark.
Chloe Gabby Bucket Bag, $2395 via Saks
It should be noted, before we continue, that this Chloe collection got at least one designer fired. Hannah MacGibbon, who had been creative director for the brand for several years, was shown the door after Chloe Fall 2011 was roundly panned. Other shuffling in the brand’s ranks weren’t announced, of course, but based on how much better Resort 2012’s accessories are then those of Fall 2011, one can only imagine that a significant shakeup did occur.
The problem, though, is that we still have to wait a few months for the new stuff to come out while bags like the Chloe Gabby Bucket Bag populate the brand’s shelf space at department stores. Ladies, this is a runway bag. Someone put this on the runway. I’ve known that for almost half a year now, but the mind, it still boggles. Try and remember that better Chloe bags are around the corner, ladies. They’ll be here soon. (more…)
It would be easy for a brand in flux to get a little bit lazy with its accessories for a resort collection while new creative talent got comfortable and plotted a new course for upcoming collections, but Chloe Resort 2012 doesn’t strike me as lazy at all. When creative director Hannah MacGibbon was shown the door after a disappointing collection for Fall 2011, I assumed that the earliest improvements would probably be seen on the Spring 2012 runway. Perhaps that’s not the case.
Chloe’s resort bags aren’t revolutionary, but the have a cleanness and confidence that the brand’s previous several accessories collections have lacked. And while there’s a Paddington reboot in the mix, a habit of the brand that tends to irk me, the bright pink and minimal Paddington markings mean that, at the very least, it actually feels like a genuine reboot instead of a cynical cash grab. I’m suddenly feeling a lot more excited about Chloe’s upcoming spring show. More photos after the jump. (more…)
Chloe Madeleine Lambskin Tote, $2681 via Luisa Via Roma
I’ve written before about Chloe’s tendency to stripmine every halfway successful accessory the brand has ever had into oblivion. “Oh, what’s this? We’ve made a satchel that people sort of like? Redesign it into a tote, a shoulder bag, a clutch and three different types of hobos immediately. And make it into a second satchel, just for good measure.” Those tactics are used to a certain extent by most designers, but Chloe’s insistence on beating a good design into the ground is almost singular in its ferocity.
Every now and then, though, the practice works out, as with the Chloe Madeleine Lambskin Tote, based on last season’s beautiful minimalist runway satchel. What can I say? Even a stopped clock is right twice per day. This handbag is one of those times for Chloe. (more…)
Chloe has had a tough few months. The brand’s Fall 2011 show in Paris was not particularly well-received in fashion circles (and I, for one, hated the handbag collection), and after an initial statement of solidarity, the French house parted ways with creative director Hannah MacGibbon earlier this month in favor of Claire Waight Keller. Hopefully that signals a new and exciting path for the brand, but in the meantime, we have to evaluate what it’s producing at the moment. Luckily, that includes the adorable Chloe Eliza Satchel.
While this bag is not exactly a design revelation for Chloe, it does accent the brand’s aesthetic strong point rather nicely. The accessories crew does a great job mixing neutrals and the company’s best bags are often among its most petite, and while this bag is still large enough for daytime wear, it definitely puts a check in both the neutral and diminutive categories. (more…)
I’ve already asked many questions of you guys today, which is probably not fair for a beautiful Friday in early spring, but I have just one more: Do white bags make you nervous? They make me very nervous, for a couple of reasons. First, I’m not a particularly careful person. If someone out there is going to have a little ketchup on her finger after lunch, that someone is going to be me. I try, but I’m just not detail-oriented. Second, I wear a lot of dark clothes. Dark clothes mean dye transfers when you’re dealing with light leather. Third, I don’t think twice about putting my bags on the ground when necessary. They’re bags, they’re meant to be used!
Even considering all that, I’m still totally smitten with the Chloe Madeline Runway Satchel. Graphic white and minimalism go together like peanut butter and jelly, although perhaps I shouldn’t use a food metaphor with such a pristine bag; I can almost see the grape Smuckers fingerprints now… (more…)
The more I look through the handbags from Chloe Fall 2011, the more I wonder who the Chloe girl is. I also wonder if Chloe’s accessories designers know the answer to that question, or if they’ve chosen instead to hope that they can make everyone feel like a Chloe girl by creating a collection that eschews a unifying aesthetic in favor of encompassing a group of ideas that are seemingly not related.
If you like hard-lined, ladylike handbags in exotic materials (or bags with actual animal heads), Chloe has a bag for you. If you spent all of your childhood lusting after your mom’s Coach bucket bags, well, there are plenty of designs that look like those as well. Are you a hippie who likes colorblocking and whipstitching? You’re not left out, either. Of course, bags aren’t sold as a collection; they’re sold as individual pieces to individual women who probably don’t care what the rest of the bags in the collection look like as long as they love the pieces that they’re buying. Still, though, I can’t shake the impression that this is a collection without an identity, and I’m not sure how you go about marketing that. (more…)
I actually love when a brand knows a good design and keeps it in their repertoire for seasons to come. Chloe knows they have a hit on their hands with the Marcie, so now we see it come back time and time again in different renditions. And actually, while I am typically drawn to the simple versions, the Chloe Embroidered Marcie has just enough added oomph to make me consider it as an addition. (more…)
The Chloe Marcie Satchel has never been among my favorite bags, but lately it seems to have conquered my favor with brute force of will and nonintuitive staying power. With this new laser-cut version coming down the pipes for Spring 2011, you can consider me a full convert to the Marcie’s charms.
Maybe it’s the thick, nasty layer of leftover snow and ice that’s still on the ground here, or maybe it’s the sad realization that it’s going to continue to be cold for months on end, but the off-white color and boho edge of this version of the bag in particular are making me think warm thoughts right now. (more…)
About a year and a half ago, we asked you if still had any interesting the Chloe Paddington Bag. Your responses were mixed, but that hasn’t stopped ChloÃ© from trying to reintroduce The Little It Bag that Could back into the fashion conversation. With the release of several bags alone the lines of the ChloÃ© Pure Paddington Duffle, it seems as though the brand’s efforts to relive the Paddington’s glory days are stronger than ever.
Are you buying it? I’m not. There are a variety of ways to make a really sharp black duffle, and adding details from a bag that was popular five years ago is not among them. Nostalgia is great, but before I can have nostalgia in any meaningful way, I need for the original to go away long enough for me to miss it. That has yet to happen with the ChloÃ© Paddington, and it seems as though it never will. (more…)