First, I’d like to say that I’m so incredibly happy that Chanel Haute Couture chose to do something more interesting for their show this season than they did for their show last season. Although, if you find silver and white boring, this may be another loser for you.
It was a winner for me, however. For the first time in his lengthy career, Karl Lagerfeld created a collection that completely eschewed black and navy – in fact, it eschewed color of any sort, save for a few traditional Chanel suits with a culotte twist (I just dry heaved a little bit there), which were rendered in various pastels. The collection was beautifully draped, beaded and rendered in the most unforgiving color palette you can imagine for the construction of clothing, but it all worked exactly as it should have. Of course it did; it’s couture.








Like the rest of
I must disagree, strenuously and vociferously, with the reintroduction of the wood-bottom clog to the high fashion lexicon. Even when these particular wood-bottom clogs are from Chanel Spring 2010. I will not stand for it.
Look at this clutch. Look at this clutch. Not only is it vintage 



