Fashion Week Spring 2010: Christian Dior
If you don’t think that John Galliano is a mad genius and we’re just all lucky to be living in the same world with him, then you haven’t been paying attention.
For Spring 2010, his collection for Christian Dior connected beautifully to the retro-and-structured-underthings look that he had showed earlier this year during Haute Couture week, and the 40s film noir looks were exactly what you would expect a dizzy dame to wear when walking into a smoky private eye’s office.
Galliano knows his audience for Dior, and I could see them buying up these ultra-glam cocktail dresses and floating evening gowns hand over fist. And not only are they beautiful, but they so thoroughly inhabit the brand’s history and mythology while still incorporating modern touches like tough leather bombers. The past and present meld gorgeously into looks that are not only art objects, but are also impressively wearable, for the most part. You know, if you go to those types of events.










Why? Seriously, that is all I keep thinking when I look at this bag. And, I’m not even talking about the price… yet. I’m just going to start off by saying, the Dior Samourai 1947 Woven Bag is a definite no-go for me. I am sure that hours of work go into putting this bag together, but, it’s just not working for me. The textural grained leather woven together like a basket looks way too busy. Now, add the leather handles with tie detailing and serpent ring attachments and you’ve got yourself a bag worthy of a headache. The other thing that bothers me about this bag is that the leather doesn’t even look soft. Beyond that the handles appear to be practically painful. I mean look at the handles, doesn’t it seem like if you were to go and grab the bag as you run out the door that there is a good chance you would scratch yourself? In the end, this bag is far too ornate for me. There are plenty of other 

