We’ve heavily covered Christian Louboutin‘s hit-and-miss record when it comes to handbags in general, but when it comes to the footwear master’s clutches, I rarely have a negative review to report. Something about the small size and structure of an evening bag lends itself well to Louboutin’s design sensibility, probably because the scale and rigidity make clutches more similar to designing a shoe than other types of bags.
Evening Bags(Page 4)
We’re longstanding fans of the Christian Louboutin Sweet Charity Bags, which come in virtually every size, color and texture that you could think of, and the advent of the Christian Louboutin Sweet Charity Glittered Bags only makes our affection for the line grow. The structured shape and signature metal bow mean that the design is a perfect candidate for an evening out, and these two miniature sizes make that dream a reality.
To say that the Marchesa aesthetic is distinctive would be a massive understatement; season after season, the brand creates over-the-top, elaborately feminine evening wear and cocktail dresses that are as architecturally impressive as they are glitteringly ornate. Ruching, draping, beading, laser-cutting – not only might it all appear in one collection, but it might all appear in one dress. Marchesa’s handbags have a lot of visual splendor to live up to.
Judith Leiber Blue Bows Crystal Minaudiere, $6995 via Judith Leiber
Do you know what day it is? Of course you do, it’s Royal Wedding day! The ceremony started at 6 a.m. but your mimosa hangover will surely last into the afternoon, so while you contemplate why you got up before dawn to watch two strangers get married in another country (Go ahead, guess who among us doesn’t have Royal Wedding fever!
Judith Leiber Houston Semiprecious Beaded Clutch, $4995 via Bergdorf Goodman
Even if most women don’t have many occasions on which they might use a Judith Leiber clutch, looking at the tiny, sparkly, intricately beaded evening bags is a pastime in which we can all participate. Bergdorf Goodman has recently added a six-bag Judith Leiber Fall 2011 preview to its website, which not only gives us a closer look at what Leiber is doing for the season, but also lets you pre-order from the selection for delivery at the end of July, if you’re so inclined.
The Alexander McQueen Iris Skull Clutch is one of those bags that needs to be seen in the largest photo possible at all times; at a distance, you might mistake the detailed embroidery for printed fabric, and that would be a tragedy indeed. A bag like this can look like a hippie craft project without a very careful hand, but Alexander McQueen Spring 2011 took flowers and butterflies and someone manages to make them look beautifully transgressive.
If brevity is the soul of wit, what’s the soul of fashion? I like maximalism as much as anyone (in fact, probably far more than most people), but the grandiosity of it can feel exhausting from time to time. The trends toward layering textures, colors and prints are some of my favorite fads in years, but that doesn’t mean I can’t look at the Valentino Satin Bow Box Clutch and think that it seems positively refreshing by comparison.
I know that we’re all supposed to put on a happy face, sing holiday songs and pretend like we just love dealing with our various and assorted sociopathic family members this time of year, but let’s face it – Christmas is often as stressful as it is exciting. I’m blessed with a small extended family, almost all of whom I get along with swimmingly, but not everyone is so lucky.
Since tomorrow is Thanksgiving in the US and the ceremonious eating of the turkey has become an unofficial start to the Christmas season (no matter what stores wanted us to believe by putting up their decorations weeks ago, I’m still going with Thanksgiving), now’s a great time to discuss holiday wardrobe. Red, green and metallics of almost any variety are usually what people tend to wear to holiday parties, and although it’s great to be festive, incorporating those colors too heavily makes you look like just another Christmas decoration.
There are plenty of designers whose entrance to the wedding-bag market might seem counterintuitive: Rick Owens, Maison Martin Margiela, Commes des Garcon. (Although I’d personally love to see what all of those companies would do with the genre.) Judith Leiber? That company definitely not among them. In fact, the question shouldn’t be, “Why is Leiber entering the wedding market now?” but, “Why didn’t it make this totally obvious decision decades ago?”
Exceptionally few people can rationalize the purchase of one of Leiber’s tiny, crystal-encrusted minaudieres.