For the first time this winter, it is really, genuinely, bone-chillingly cold in New York City. Yesterday, I got my puffer coat out of the closet for the first time since last winter; I had been surviving since November on just a wool coat, but sub-20-degree temperatures made me a holdout no longer.
Bag Trends(Page 6)
We already told you that oxblood is the new black for fall, and everyone is continuing to talk about the color burgundy. I can’t stop obsessing – it’s just such a rich, lush color that goes with practically everything. Want to wear blacks with it?
Now that aggressive colorblocking (and to a certain extent, pattern-mixing) has run its course, designers have moved on to mixing textures. One wonders exactly where the fashion industry will go once piling beads, fur, studs and jingle bells onto the same outfit becomes tiresome (all the way back around to stark minimalism, probably), but for the moment, your style pursuit for fall is to load up on all the wonderful textures you can.
At a certain point, a popular bag design reaches such full saturation that designers who make bags in its image are no longer ripping off someone else’s work, but simply designing to fit a trend. It’s a bag designer’s job to interpret what consumers want for their own brand, of course, and lately, consumers want the Celine Luggage Tote.
Color is a bit of a tricky proposition for cooler months; brights can feel inappropriate, and as much as I’m a fan of aggressive season-pushing when a piece is amazing and just must be worn immediately, the reality of winter is that even most people who love brights have to embrace darker, more neutral colors, at least for a few months.
It’s been a long time since the handbag world has had a new shape emerge. For the past several seasons, it’s mostly been wall-to-wall small crossbodies and tailored, ladylike satchels with a few popular north-south totes thrown in, and just like any predilection that’s been around for a while, those norms were bound to be challenged sooner or later.