In our minds, 3.1 Phillip Lim has been on an accessories roll lately. He won the CFDA’s 2013 Accessories Designer of the Year honor last month, sure, but it might be even more impressive that he’s managed to make me want to buy a camouflage handbag. (Okay, maybe that’s only more impressive to me.) Now, another Lim bag has shot to the top of our collective shopping list, and this time it’s the 3.1 Phillip Lim Ryder Bag.

As much as I like the trend for holographic handbags (and I really, really like it), the Milly Hologram Demi Tote may have gone a bridge too far, and I bet most of you can guess why that is. I have faith in you guys. You’re smart people.

I used to be very much anti-camouflage. I remember the trend coming around when I was in high school, and I always felt very clever telling people that I thought camo should be worn by combat troops and No Limit Soldiers only, which is why you’d never find me wearing it. We’re all so cute at that age, aren’t we? As an adult, I’m more open-minded, and Valentino recently proved that camo can indeed be done in a successfully high-end way.

Even if you don’t spend as much time online shopping as I do (and for the sake of your work performance and/or the well-being of your children, I hope you don’t), you’ve probably gotten a distinct sense of the “blahs” over the past two weeks. After the initial frenetic rush of sale season passed, there’s been little to amuse ourselves with except for a few stray pre-fall arrivals and the occasional attempt to squint at the tiny, half-obscured accessories in Resort 2014 lookbooks.

It’s not often that I’m confused by handbags. Not only have I been writing about them (and obsessing over them) for a living for a few years now, but I have all the powers of Google at my fingertips, which means that I can generally clear up any questions I have without any problems. With that in mind, the fact that I can find literally no information about Time’s Arrow Handbags only makes me more intrigued.

The grace with which the Olsen Twins walk the fashion-celebrity tightrope never ceases to amaze me. Not only is The Row one of perhaps only two celebrity-owned fashion lines to generate any true industry respect at all (the other, arguably, is Victoria Beckham’s), but Elizabeth and James, the sisters’ long-running contemporary label, churns out wearable, stylish, reasonably accessible clothes for chic young women, season after season.

Sometimes, you lay eyes on a bag for the first time and it just makes you happy. The elements click into place and form a relatively harmonious whole, the leather choice works for the desired structure, the bag feels modern, but not like it’s trying too hard. That’s what happened for me when I saw the Botkier Honore Satchel at the brand’s headquarters last week – I just knew.

This year in New York City, it’s often seemed like we’ve gone straight from extended winter to early summer – one week it was in the 50s and spitting rain, and then literally the next week it was 90 degrees and sweltering. Now it’s June and I’m not sure what to think, except that I’m a tad excited that the weather map shows temperatures in the mid-70s for the next week and we might actually have a belated spring for a few days.

Last year the honor went to Reed Krakoff, and the year before that, Alexander Wang, so Phillip Lim should find himself and his brand in good company as the 2013 CFDA Accessories Designer of the Year. It’s a well-earned award; Lim’s Pashli and 31 Hour bags are enduring favorites among fashion industry insiders and regular consumers alike, and he was among the first to figure out that the Celine-style flared gussets would be an enduring, far-reaching trend.

We talk about this from time to time, but there is perhaps nothing more difficult in handbag design than creating an attainably priced bag that looks as conspicuously expensive as the ultra-premium bags that contemporary customers lust after. Someone willing to pay $500 for a purse is likely well aware of what a $1,500 bag looks and feels like, after all, which creates an extraordinary balancing act for designers who come in at a three-figure price point.

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