Last Thursday on the new episode of Project Runway, we got something that all fans of the show are well used to: a challenge where they pretend that the hair or the makeup totally matters so that they can have the Garnier or L’Oreal people on to shill for a minute or two, and then they completely ignore the hair or makeup unless it’s an epic fail.
Yves Saint Laurent Lucky Chyc Colorblock Tote, $1350 via Net-a-Porter
By now, we all know what spring’s big trend are: Colorblocking, mixed brights, pink and orange, brights contrasted with neutrals. We’ve all been saying this since the collections made their fashion week debuts six months ago, and those looks have made their way to retail with a vengeance.
Just when I was beginning to wonder if Coach president Reed Krakoff could continue to replicate the smashing success that he’s had in the very short life of his eponymous label, Reed Krakoff Resort 2012 comes around to prove it to me.
Loewe Flamenco Bag, $1726 via Matches in green and orange
If you’ve never seen a Loewe (pronounced Low-AY-vay) bag in person and they brand is available in your area, I’d encourage you to seek them out for a test drive around the department store or boutique of your choice.
Reed Krakoff Kit Bag, $1390. Reed Krakoff RDK Hobo, $1290. Reed Krakoff Boxer Tote, $990. All via Saks.
Sometimes I feel the need to reiterate this point when I sit down to write yet another post about a brand that I love: Reed Krakoff has never given me a free bag, a discount on a bag or any kind of perk whatsoever in exchange for a post.
Marc Jacobs Snake Clutch, $1095 via NAP
Without looking at the name of this clutch or a close-up image, you might miss that a snake design is separating the raspberry suede and orange leather colorblocking. What makes the snake design stand out even more is the fact that it has a face and is created with actual python, which keeps the design legit while also making me feel a wee bit slimy.
At PurseBlog, we understand that spring’s trend toward bright colorblocking can be intimidating, particularly when you decide to do it in a minimal way a la Jil Sander Spring 2011. In those kinds of ensembles, there’s nothing to hide behind – it’s just you and your colorful pants, out there for the world to see.
You may or may not have liked Fendi’s Spring 2011 handbag collection, but you can’t argue that it was what fashion industry people call “directional.” Instead of merely designing safe, pretty accessories, Fendi’s handbags gave us a new way to think about combining color, structure and texture.
The luxury accessories market is crowded with seasoned competitors all vying for consumer attention (and consumer dollars), which can often make it well nigh impossible for a new handbag line to turn heads, particularly the heads of people whose job it is to look at handbags all day.
The more I look through the handbags from Chloe Fall 2011, the more I wonder who the Chloe girl is. I also wonder if Chloe’s accessories designers know the answer to that question, or if they’ve chosen instead to hope that they can make everyone feel like a Chloe girl by creating a collection that eschews a unifying aesthetic in favor of encompassing a group of ideas that are seemingly not related.