While there have been plenty of recent designs that continue to place Fendi firmly on our handbag radar, none has had such a lasting influence and effect on fashion as the Baguette. No matter how many new bags follow, there is something so special about the Baguette that makes it continue to shine as the star of the Fendi show.
We’re all about radical truth-telling in these parts (ok, maybe it could be more accurately termed as radical opinion-sharing), and honestly, I don’t really like the Fendi Baguette, as a bag concept. I like that the size proportion of the bag’s body makes it ripe for embellishment, and I like all the creative things that Fendi’s done with it over its decade-plus lifespan, but I really wish that the Baguette would get re-imagine as a crossbody.
Spotting a bag that you really, truly adore during a fashion show is one of the most agonizing things about working in this business. You know it’ll take six months for the object of your affections to even become nominally available, and when it does, the price will, in all likelihood, make you dizzy.
Babies might be too little to carry real handbags for a few reasons (among them: weak shoulders, frustratingly limited motor skills, lack of personal possessions that require carrying), but that doesn’t mean that their uber-fashionable mamas shouldn’t kit them out in their own image, all the way down to a baby-scaled representation of their own handbags.
Around these parts, there’s nothing we love better than a good bag collection. (Ok, maybe we love a good sale more, but most of the sales are over for the season, so there’s no use crying about it, ok?) The psychological nature of collection is such that people who are moved to amass giant assortments of things usually pick something very particular on which to fixate, and in the case of Pamella DeVos, that lust object is the iconic Fendi Baguette.