Here’s AnnaSophia Robb, in full Carrie Bradshaw costume on the set of The Carrie Diaries in New York, carrying a colorful Fendi 3D Enamel Studded Baguette. If you’re a stickler for historical accuracy, you’ll quickly realize the fallacy here.
Fendi Handbags and Purses(Page 7)
I’ve said it before and I’ll say it again: Don’t sleep on Fendi. Karl Lagerfeld’s creative direction at Chanel may get more media attention, but the things he’s been doing with color, texture and tech-inspired fabrications and textiles at Fendi for the past few seasons are, at their best, a fascinating look at the technicolor future of mass-market luxury.
While there have been plenty of recent designs that continue to place Fendi firmly on our handbag radar, none has had such a lasting influence and effect on fashion as the Baguette. No matter how many new bags follow, there is something so special about the Baguette that makes it continue to shine as the star of the Fendi show.
We’re all about radical truth-telling in these parts (ok, maybe it could be more accurately termed as radical opinion-sharing), and honestly, I don’t really like the Fendi Baguette, as a bag concept. I like that the size proportion of the bag’s body makes it ripe for embellishment, and I like all the creative things that Fendi’s done with it over its decade-plus lifespan, but I really wish that the Baguette would get re-imagine as a crossbody.
Of all of the fraught issues in fashion (and believe me, there are plenty), fur is probably one of the most fraught. It has both ardent defenders and detractors, but mostly, luxury consumers are somewhere in the middle, just like yours truly – aware of the ethical issues with wearing fur, and not necessarily a fur customer, but also not constitutionally opposed to someday becoming a fur customer, were the right piece to cross our paths.