Anyway, yes, the bags! Some were amazing – the new soft leather Peekaboos with wood or clear plastic handles were among my favorites, and the addition of exposed stitching, combined with the different handle textures, gives the shape a sense of style that it was missing in its more staid initial iterations. The bags look touchable and a bit vintage, just like the rest of Karl Lagerfeld’s breezy, Parisian collection for the brand.
Other standouts were the Perspex beveled clutches, some completely clear, others with slight tints or exterior studding. The bags were, of course, shown with nothing inside of them, and putting anything in them would be kind of a shame, but how else are you supposed to carry them? They were beautiful and a tad whimsical as art objects, and if the stuff you carry inside your clutches is very beautiful, they might be a workable choice.
And on the other hand, some things just didn’t work at all. We saw leather totes in a variety of colors with an odd, pansy-embroidered snap-on linen cover that was not only puzzling but also not particularly attractive, and Fendi would have done well to omit those completely and add more of the delicious Peekaboo styles, along with a few of the other wood-framed clutches and bags, to the collection instead. They were almost distractingly bad, but ultimately the preponderance of beautiful bags won out.
Images via Style.com
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