That’s it, guys–another Paris Fashion Week is in the books. It’s always the most glamorous of the four global fashion weeks, and it always attracts the most celebrities and fashion insiders (and, of course, their best bags) of the four fashion month pitstops.


At Louis Vuitton, handbags are king. The brand might now make full lines of ready-to-wear, outerwear, shoes, accessories and jewelry, but if the bags are selling, none of that other stuff really matters. With the new bags that debuted as part of the brand’s Fall 2015 collection this morning, that shouldn’t be a problem.


For the past several seasons, Chanel has leaned heavily on themes to inform its collections, and its accessory design in particular. First came art school, then protest rallies, and with them some huge hits and notable misses in the bag department.


Although handbags are certainly central to Céline’s growth, profitability and ascension to the top of the fashion industry’s prestige market, the brand tends not to over-emphasize its bags on the runway in favor of centering clothes and a few other seasonal accessories.


Dior has an advantage that only a tiny handful of other fashion houses enjoy. Because the brand resides at the very top tier of fashion houses and because it has a history so rich and storied that it’d make a marketer weep, Dior can not only make handbags out of the world’s rarest, finest exotics and expect to sell all of them, but the brand can make interesting, challenging bags that retail for $30,000 and expect to sell those, too.


It’s like we blinked and fashion month is almost over. Milan Fashion Week has come to an end, and that means it’s time to do a post-mortem on what happened on the runways. From what I saw, there were few overarching trends in Milan’s handbags; each brand sort of did its own thing.


Another fashion week has come and gone (this time, Milan Fashion Week), and all that’s left are the great bags to look forward to and the street style shots of the fashion insiders and celebs who attended.


Over the past six months, we’ve discussed the problems that plague Prada’s handbag business (and, therefore, its business at large) on a number of occasions. Chiefly among them are the brand’s reliance on saffiano leather, which is not really a luxury material, and the lack of diversity in its bag mix.


Anya Hindmarch is a brand that’s been around as long as I’ve been into handbags, but in the past two seasons, the British designer has rocketed to wider interest than she’s ever received before. That’s largely because of the decision to incorporate a few consumer product logos into some bags two seasons ago; earlier this week, Hindmarch gave us even more of what’s exploded the brand into the mainstream.

Image via from Gianni Pucci /

This past New York Fashion Week was a bit of a let down on a variety of levels, from the seriously frigid temperatures to the lack of great bags that went down the runway. There were some magnificent collections when it came to the clothing, but overall, the handbags weren’t amazing.