I love colorblocking. I love the way the seemingly simple trend took over the fashion world quickly and had everyone feeling like some novel idea was introduced in a ground-breaking manner. Yet the trend works so well on everyone, showcasing solid colors paired together to give a sleek yet bold look.
Chloé Handbags and Purses(Page 4)
Chloe Madeleine Lambskin Tote, $2681 via Luisa Via Roma
I’ve written before about Chloe’s tendency to stripmine every halfway successful accessory the brand has ever had into oblivion. “Oh, what’s this? We’ve made a satchel that people sort of like? Redesign it into a tote, a shoulder bag, a clutch and three different types of hobos immediately.
Chloe has had a tough few months. The brand’s Fall 2011 show in Paris was not particularly well-received in fashion circles (and I, for one, hated the handbag collection), and after an initial statement of solidarity, the French house parted ways with creative director Hannah MacGibbon earlier this month in favor of Claire Waight Keller.
The more I look through the handbags from Chloe Fall 2011, the more I wonder who the Chloe girl is. I also wonder if Chloe’s accessories designers know the answer to that question, or if they’ve chosen instead to hope that they can make everyone feel like a Chloe girl by creating a collection that eschews a unifying aesthetic in favor of encompassing a group of ideas that are seemingly not related.
The Chloe Marcie Satchel has never been among my favorite bags, but lately it seems to have conquered my favor with brute force of will and nonintuitive staying power. With this new laser-cut version coming down the pipes for Spring 2011, you can consider me a full convert to the Marcie’s charms.